Veteran Final Fantasy staff returned, including series creator and producer Hironobu Sakaguchi, director Yoshinori Kitase, and composer Nobuo Uematsu. After delays and technical difficulties from experimenting on several real-time rendering platforms, Square moved production to pre-rendered video, necessitating the huge capacity of the CD-ROM format and therefore departing Nintendo for the PlayStation. During the journey, Cloud builds close friendships with his party members, including Aerith Gainsborough, who holds the secret to saving their world.ĭevelopment began in 1994, originally for the Super Famicom. Events send Cloud and his allies in pursuit of Sephiroth, a former member of the corporation who seeks to destroy the planet. The game's story follows Cloud Strife, a mercenary who joins an eco-terrorist organization to stop a world-controlling megacorporation from using the planet's life essence as an energy source. Published in Japan by Square, it was released in other regions by Sony Computer Entertainment and is the first in the main series with a PAL release. It is the seventh main installment in the Final Fantasy series. Final Fantasy VII is a 1997 role-playing video game developed by Square for the PlayStation console.
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Publisher/Vendor/Repository and License Typeĭassault Systemes, Commercial Usage Token UsageĪBAQUS software usage is monitored though a token-based license manager. (link sends e-mail) Access for Commercial UsersĬontact OSC Help for getting access to SOFTWARE if you are a commercial user. In order to obtain validation, please contact OSC Help for further instruction. The use of ABAQUS for academic purposes requires validation. Users from additional degree granting academic institutions may request to be added to this list per a cost by contacting OSC Help. Only users who are faculty, research staff or students at the following institutions are permitted to utilized OSC's license: OSC's ABAQUS license can only be used for educational, institutional, instructional, and/or research purposes. Feel free to contact OSC Help if you need other versions for your work. Importantly, the strong nanostructure layer indeed becomes ductile (enables further work hardening) due to the activation of hierarchical nanotwinning and dislocation activity.You can use module spider abaqus to view available modules for a given machine. The inter-layer microstructure inhomogeneity introduces extra shear constraints from the coarse-grained substrate, which stabilizes SBs and improves the stress of non-strain banding zone, thereby suppressing the early catastrophic strain localization. Finite element analysis reveals that it is the intra-layer microstructure inhomogeneity which enables dispersed SBs nucleation from the mechanical weak sites. In the tensile deformation, strain examinations find that the nanostructure layer experiences significant strain delocalization by activating dispersed stable strain bands (SBs) and promoting the deformation of non-strain banding zone. A nanostructured CrMnFeCoNi high entropy alloy layer supported by coarse-grained substrate (in gradient architecture) is taken as an example. Here we explore the effects of microstructure inhomogeneity on the plastic behavior of nanostructured layer. How to suppress strain localization in tensioned nanograined layer and make it ductile? This remains a great challenge. The never-ending Destiny 2 controversy is a teachable moment for the game industry The player base started dwindling following December’s Curse of Osiris expansion, and last month’s Warmind was largely focused on putting the game back on track ahead of Forsaken. But Bungie made a series of bold and perhaps risky decisions with Destiny 2 that have ultimately proved misguided, from restricted multiplayer options and watered-down combat to a lack of depth and fun factor in the overall progression of the game’s story. If that sounds like it should have been the primary goal of the initial launch game, you’d be correct. In that sense, Forsaken seems like it will act as large reset, reintroducing core concepts of the first Destiny while simultaneously trying to surprise players with something new. The theme seems clear: after months and months of turmoil and controversy, Bungie is trying to find common ground with its fans by bringing back the most asked-for elements of the first game. In a polished video put together by the studio and a live interview session after that, Twitch live stream viewers were given a broad overview of what the expansion would content. (The initial Forsaken reveal showed Taken enemies in Gambit.) Each of those enemy types is then subdivided further into three different encounter setups.Game developer Bungie revealed new details today about its upcoming Forsaken expansion for Destiny 2, which will be the largest expansion since the game’s initial launch in September 2017. In our two demo rounds we faced the Fallen both times, and on the same map, but Bungie says there will be four different Gambit maps at launch, each with the potential for three different enemy types. The Drifter then tells you what you’ll be facing in the next match. In Gambit, you’ll fly into this ship and briefly see the other team standing in their own waiting room. We didn’t see much of this guy, except that he likes to flip a dogtag like it’s an old coin, and he lives in a massive ship. Here’s how it works: Two teams of four are summoned by The Drifter, a new character in Destiny lore. Gambit is actually a mash-up of Destiny 2’s player-versus-player and player-versus-environment capabilities. And it’s essentially a combination of the two. In any case, for those who didn’t watch Bungie’s reveal event last week: Gambit is a completely new mode for Destiny 2: Forsaken, on par with Crucible or Strikes. PT - Shia is a very attentive, very polite audience member. If I get less than 5 hours of sleep, I look like something someone found stuck to the bottom of their shoe.ġ2:54 p.m. PT - For someone who has been up for three days straight, Shia doesn't look a mess. PT - Sigourney Weaver just smacked Jon Voight with her rattlesnake venom-laced nails. PT - Shia’s been blinking more than usual. Either I am not perfectly synched up with Shia’s screening, or his sleep deprivation has kicked into overdrive.ġ2:46 p.m. I can’t for the life of me figure out what he was laughing at. PT - Shia laughed out loud during a dialogue-less, unfunny flashback. I really hate when people are jerks about letting other people by.ġ2:39 p.m. PT - Shia just displayed some really great movie theater etiquette: He didn’t hesitate to stand up when someone wanted to walk down the row. I assume it's because he's conserving his energy. PT - I think someone walking down the row behind Shia accidentally hit Shia in the head with a tote bag. Just want to get my bearings, see what's going on, etcetera.ġ1:44 a.m. PT - I'm going to pull up the live stream a few minutes early. PT- Shia’s on the third day of this marathon. Here's what I saw while I watched Shia LaBeouf watch Holes:ġ1:42 a.m. PT (per the itinerary), hoped my rental synched up with Shia's screening (unfortunately, the live feed does not have sound, so I may never know if my timing was correct), and I jotted down my observations. Thursday morning, I fired up the live feed, started the movie at 12:02 p.m. The winner: Holes, the 2003 live-action adaptation of Louis Sachar’s novel of the same name. I did not have the time (or the strength) to sit through the entire marathon, but I did have the time watch an entire movie along with Shia.I used a foolproof method to pick the flick: I closed my eyes, pointed at the #ALLMYMOVIES itinerary, and watched whatever my pointer finger landed on. It's a free of charge, open to the public movie marathon that began with Man Down and will end with Breakfast with Einstein on Thursday evening.įor those of us who live on the opposite side of the country and/or can not make it to the Angelika Film Center this week, there is another way to check out the project: you can watch Shia watch movies via the #ALLMYMOVIES live feed. The reason: #ALLMYMOVIES, a performance art piece by LaBeouf, Rönkkö, & Turner. “ We could not stop watching him watch.”Īs of Tuesday afternoon, actor Shia LaBeouf has been camped out in front of a movie screen at NYC's Angelika Film Center. And we could not stop watching him watch," we will say as we stare out the window at a live streaming video that isn't there. “For three whole days, he watched all of his feature films in reverse chronological order. Decades from now, we will tell our children’s children about the time Shia LaBeouf embarked on a movie marathon for all the world to see. Like the Ballroom dataset, each music recording is assigned a single label by “experts in Brazilian dance” according to the appropriate dance. This dataset is notable among those created for music genre recognition because it contains music outside the realm of Western popular music. That paper describes the LMD as 3,227 song recordings, each labeled in one of ten different classes: Axé, Batchata, Bolero, Forró, Gaúcha, Merengue, Pagode, Salsa, Sertaneja, and Tango. Kaestner, “The Latin music database,” in Proc. It has been used in the MIREX Latin music genre recognition task since 2009. for use in a comparative evaluation of particular approaches for music genre classification. This collection compiles 15 of the duo’s most popular recordings, drawing mostly from their first two full-lengths, 2000’ Hoja en Blanco and 2002’s Confessiones.The Latin Music Database (LMD) was created around 2007 by Silla et al. Monchy y Alexandra continued to enjoy success with Martires de Leon’s compositions until their dissolution in 2008. This unprecedented success can be attributed, at least in part, to the production and songwriting talents of Martires de Leon, whose infectious compositions often incorporated elements borrowed from Vallenatos, a contemporary Colombian music that, like Bachata, originated as a rural folk form and is characterized by languid tempos and romantic lyrics. While the stylistic innovations of artists like Juan Bautista, Anthony Santos, and Blas Duran did much to expand Bachata’s audience beyond its rural working-class base, no Bachata artist gained a significant following outside the borders of the Dominican Republic until the beginning of the ‘00s, when Monchy y Alexandra’s debut single “Hoja en Blanco” became a major hit in the United States. The price of badges is relatively high to help make badges special, collectible, and valuable. VIPs can purchase a tile for only 90,000 Credits. One tile space is 20 x 20 pixels, and each tile costs 100,000 Credits. However, you can create badges up to 5 tiles wide and 5 tiles high The most common badges are 1 tile wide and 1 tile high. The price of your badge depends on the size on your badge. Once you create your badge you can share it with a few close friends or give it to anyone who asks nicely - there is no limit to how many copies of your badge you can give. When people are curious about a badge, they can click it to learn more. This is a small area of text or HTML content where you can add a message or graphic. You can think of badges as a "friendship pin" on IMVU.Ĭlicking on a badge will bring up the badge description. Badges are a great way to express yourself, to display your connections with friends or groups, and are a lot of fun to share and collect. Your favorite badges are displayed beside your profile picture across the IMVU website. 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Someone else says, “Pass the joint.”) Gradually, the song, in defiance of the two-dimensional image of the depraved “inner city” that was pushed by sociologists in the wake of the urban riots of the sixties, paints a portrait of the ghetto as a site of complex pleasures, untold stories, and unwritten rules. At the start of the 1969 hit “ The Ghetto,” the legendary soul singer Donny Hathaway plays a deep bass line on electric piano and swoops up to his falsetto, as if to outline a shape that the song will fill with guitar, bass, congas, soul claps, and fragments of speech. You can now choose the desired error correction level (Low, Medium, Quartile, High) and QR Code versions range (between 1 and 40).Added /Clipboard command line option, which allows you to generate QR Code into the clipboard, for example:.When it's turned on, white space is added around the QR Code in all saved images. 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She stopped attending guitar lessons after six months once her teacher refused to acknowledge her interest in songwriting and producing. Career 2015–2017: SoundCloud and "I Wanna Be Your Girlfriend" Īfter getting a Blue Yeti microphone from her father in 2015, Ulven began writing and releasing Norwegian music to SoundCloud under the moniker of "Lydia X". She began by writing and releasing Norwegian music and planned to study music, but never concluded that she was going to become a musician. Ulven had taught herself piano, guitar and music production from the comfort of her bedroom. She credits her grandfather for sparking her interest in music. Ulven received her first guitar as a Christmas gift from her grandfather in 2012, but didn't start playing it until 2013 after losing interest in fingerboarding. While in high school, Ulven was curious about becoming a teacher before she was introduced to the guitar and songwriting at the age of 14. Her grandfather could play the guitar and piano however, she grew up without instruments in the home. Her mother worked with technology and her father worked as a policeman. She grew up with her sisters and her divorced parents, and described Horten as "quiet and kinda boring" in an interview with Triple J in October 2019. Marie Ulven Ringheim was born in the town of Horten, Norway on 16 February 1999. |
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